I don’t often use the word ‘contemplative’, partly because its history in the Catholic Church has not always been happy, forcing a divide between the so-called active Orders and the cloistered, or even being used to set up a false hierarchy of spiritual prowess in which the contemplative outranks everyone else, and partly because I’m not sure that those to whom I might use the word would understand by it the same thing that I intend. Nowadays nearly everyone seems to claim to be a contemplative so it probably doesn’t matter very much, but I still cling to the idea that contemplative prayer is simpler and less structured than formal meditation or the devotions that form the staple of many godly people today. It is also, in my experience, less visual.
This was brought home to me by a recent discussion on Facebook where a good friend suggested we might introduce a few images as background to our podcasts. You may have noticed that Facebook, like the BBC website, is increasingly geared towards video and the use of images . The problem for us is that we are not very good at the visual. Ours is what one might call a Word-centred spirituality in which lectio divina, the slow, prayerful reading of a text, is fundamental. Visual images can intrude on this process. Apart from anything else, we have comparatively few in the monastery, so those we see tend to stay with us, for good or ill. We don’t have a TV or (usually) watch films. We live in the same space, doing more or less the same things day after day. It is, some would say, a spartan existence as far as visual stimuli are concerned. In some ways, that makes us more sensitive to the world around us: the changing of the seasons, the beauty of garden and sky, the ordering of the monastery building, have an impact on us they might not on a more casual observer.
I don’t want to sound precious or over-complicated, but that is one reason why we are hesitant about using more images on our web sites or even this blog. The Word demands our full attention. Some people find an image helpful. For others it can be a distraction. I myself use images sparingly because they have a big impact on me. For example, Nicholas Mynheer’s marvellous painting of the mothers of Jesus and Judas embracing that I posted during Holy Week stays vividly in my mind; so, too, do others.
This morning, as I was thinking about St Athanasius whose feast-day this is, I realised anew that in the person of Jesus Christ we have the perfect visual, the perfect image, one who is both God and man. Who could improve on that? Not me, certainly.