The Harrowing of Hell | Holy Saturday 2014

The Harrowing of Hell: York illumination c. 1190
The Harrowing of Hell: York illumination c. 1190

There is a quietness and stillness about Holy Saturday — a day out of time — that belies the intense activity of Christ. We do not know what happened in the tomb, but the ancient belief in the harrowing of hell, when Christ descended into the underworld to set free all the righteous who had died before his coming, reminds us that God is at work even when he seems most distant, most unapproachable.

Today we have no sacraments to affirm the bonds between this world and the next, no colour or warmth to assuage our grief, no activity to distract us or give a false sense of security. We are simply waiting, all emotion spent. Most of us live our lives in perpetual Holy Saturday mode, our faith a bit wobbly, our hope a bit frail, but clinging to the cross and Resurrection with an obstinacy wiser than we know. Holy Saturday proclaims to anyone who will listen that when we cannot, God can and does. That is our faith, already tinged with Easter joy and gladness.

Note on the illustration
Harrowing of Hell, illumination about 1190, York; written about 1490, Tempera colours and gold leaf on parchment
Leaf: 11.9 x 17 cm (4 11/16 x 6 11/16 in.)
The J. Paul Getty Museum, Los Angeles, Ms. 101, fol. 82v

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