Holy Saturday 2015

Holy Saturday is a day out of time, a day for doing nothing, because God is acting — powerfully, incomprehensibly, mercifully — while the earth remains silent and still, awaiting the Resurrection. In the past, I’ve said that the whole of monastic life is lived in Holy Saturday mode (see here or here) and I was thinking principally about the fact that we are suspended between heaven and hell, going on as best we can, placing all our hope in the God we cannot see; but I begin to think that the connection is both simpler and more mysterious. Holy Saturday is traditionally associated with the Harrowing of Hell, when Christ descended into the underworld to free the spirits of the just who had died before his coming. It is a day of mercy, and all of us live by the mercy of God. That is what we really mean by Holy Saturday as a day of waiting, a day when we await the mercy of God.

Initial D: The Harrowing of Hell


















The tenderness of this illustration, as Christ takes the spirits in Sheol by the hand and leads them out into the light, would melt the heart of anyone. It makes me wonder why we are sometimes so anxious to consign others to hell. Don’t we all long for God to be merciful to us? Haven’t we enough sins of our own to worry about, without condemning those of others? Perhaps, today, we could spend a moment or two thinking about how we judge others, and the harm we sometimes do by imprisoning them in our judgement of them.

Tonight, during the Exsultet, we’ll sing of the felix culpa, the happy fault, the necessary sin of Adam, which brought us such and so great a Redeemer. It is theology trembling on the brink of heresy, breath-taking in its conception of God’s wisdom and mercy. Holy Saturday reminds us that sin and death are no barrier to God. He will lead us into everlasting light, if we will but let him.

Note on the illustration
: Initial D: The Harrowing of Hell, mid-1200s, Tempera colours, gold leaf, and ink on parchment
Leaf: 23.5 x 16.5 cm (9 1/4 x 6 1/2 in.)
 The J. Paul Getty Museum, Los Angeles, Ms. 14, fol. 110 Used by permission under the Open Content Scheme, with thanks.